Amazing Review of House of the Dragon from Game of Thrones

The Targaryens’ ongoing family drama has made everyone’s day at the sex party awful. The following includes complete spoilers for House of the Dragon, Episode 4, which aired on HBO on September 11. Check out our analysis of the show from last week to refresh your memory.

In this week’s House Of The Dragon, nobody is satisfied with the situation. Many of the royal dissidents whine about their situation in life, but they generally have very little justification for doing so. Only a few boots in the kidney are used, and on a Westerosi scale, that hardly counts as any violence at all. There is no torture or murder committed.

The Dragons of The Crown are here. At least one dragon, which swooped by in the opening sequence to serve as a reminder that the production had a budget before flying off and leaving viewers to listen to people converse in rooms for the duration of the play. Look, they had to make up the money they spent on stunts and special effects for the fight scene last week. It’s time for another episode of politics and concern for women’s intimate bits.

This time, since Alicent (Emily Carey) is taking a vacation between pregnancy, we focus on Rhaenyra (Milly Alcock) especially. That’s not a joke. The heir is on tour when the episode begins, and both young and old noblemen are pleading for her hand in marriage. Rhaenyra, the Bachelorette without roses to give, struggles to maintain any semblance of etiquette while taking in their attire. It doesn’t take a Freud to figure out who she’s using as the standard against which to compare these dodderers and whippersnappers as she unconsciously strokes the necklace that Uncle Daemon (Matt Smith) gave her.

It’s intriguing why he does this because he doesn’t afterwards deny that they did the dirty when questioned, so it can’t be to preserve her reputation. Even so, it might have been a clumsy attempt to shield her virtue from his own impulses, in which case it would be even creepier.

house of the Dragon from Game of Thrones Daemon

Does Daemon intend to leave her virginal so that he may wed her in that state? Is he holding off on making it official until he convinces his brother to let him wed a second woman in addition to the “bronze bitch” he previously married? If that’s the case, he’s in trouble since Rhaenyra is so enthused that she immediately returns home and seduces Ser Christen Cole (Fabien Frankel). She is therefore telling the truth, if not the full truth, when she subsequently says she had no carnal knowledge of Daemon.

This entire disgusting scene is mostly based on George R.R. Martin’s book Fire And Blood, in which Rhaenyra experiences a crushing crush on the Whitecloak and Daemon visits brothels to teach his niece about sex (in the book, she is even younger). This episode has a recurring subject of sexual freedom, with Daemon saying that Rhaenyra can have whatever sexual experience she wants when they get married. He says this with the blithe assurance of someone who is certain that no rules actually apply to him.

house of the Dragon from Game of Thrones Targaryen dragon riders

What Daemon neglects to clarify is that, if, as Rhaenyra alleges, it is treason to accuse the heir to the throne of engaging in extramarital sex, it has also traditionally been treason for a royal woman to engage in extramarital sex after she has married. Just ask Anne Boleyn. Given that it is Rhaenyra’s bloodline, not her husband’s, that matters, different laws may apply to Targaryen dragon riders. However, if the misogyny is acceptable since “these books are like mediaeval history,” then Rhaenyra shouldn’t engage in any shagging.

Incestuous marriage and permitting women to reign and inherit were two radical traditions the Targaryens introduced to Westeros when they first arrived. Which one do you suppose they battled to protect? Had they chosen the other, the program might have been more intriguing and less spooky.

This is a strong Considine episode, with all Viserys’ pettiness and weakness fully on show.

Alicent’s disassociation as she performs her marriage obligations with Viserys contrasts with Rhaenyra’s visit to a brothel (Paddy Considine). Despite the fact that she played for the crown and won it, Alicent is currently a rather depressing figure as a nursemaid, a bed companion on call, and a counsellor with the softest of soft power and no official role. Whatever satisfaction she may have found in her social status or in carrying out her duty to her family and country. She and Rhaenyra at least make up briefly, which is a rare instance of real warmth in a program that frequently feels cold, but she is still undoubtedly lonely and alone.

He is now a martyr to his wounds, covered in sores and cuts from his throne, and prone to wobbling in the direction of the wind. Or is he? He is persuaded to remove Otto (Rhys Ifans) as his Hand by Rhaenyra, who says that is the price for her consenting to wed. Viserys, however, appears to be speaking to Otto from his own place of bitterness and wrath; we do not observe Rhaenyra feeding him any of those lines when he speaks to him. There is anger there beneath the laid-back exterior; he seems to have been harbouring some type of vengeance ever since the passing of his own father years before.

Viserys was the last person to ride the powerful dragon Balerion, whose skull is now lying beneath the fortress. This is a moment when it is important to keep in mind. He really does have a dark side, and Otto is correct to be afraid of it. There will be even more upheaval as the job of Hand is up for grabs and Daemon is exiled once more.

In their golden cages, the main characters in this story are all very unhappy. Viserys wants tranquilly, Rhaenyra wants independence, Daemon appears to want Rhaenyra, and Alicent wants some deference. Even at the sex party, no one is having fun right now. Writing in a few more wacky side characters that aren’t featured in Fire And Blood could have been a wonderful idea to bring a little more humor to the proceedings. There is space to develop the fundamental facts further than we have thus far because Martin’s source material is a made-up history that serves more as a framework than a narrative.

house of the Dragon from Game of Thrones Game Of Thrones gave us a close-knit family of Starks to care

Game Of Thrones gave us a close-knit family of Starks to care about, as well as a humorous, cynical onlooker in Tyrion Lannister, in addition to all the serious people jockeying for thrones. This is not to constantly compare the two, although the shared theme song and Viserys’ repeated incantation of the title of the original book series invite it. Before you even consider House of the Dragon’s commitment to treat women as breeding machines rather than as human beings, it feels a touch hollow because there are only royals present. We can only hope that next week will pick up the pace or at the very least provide us with some jaw-dropping drama to divert us.

The Finding

George R.R. Martin and Ryan Condal collaborated on the prequel series House of the Dragon for Game of Thrones. The series, which is set 200 years before the events of Game of Thrones, is based on George R.R. Martin’s book Fire & Blood and follows the tale of House Targaryen.

Is House of the Dragon a hit?

HBO’s House of the Dragon is a big success, which begs the perplexing issue.

Did House of the Dragon get Cancelled?

Update as of 8/26/22: HBO has given the TV show House of the Dragon a second season.

Is House of the Dragon a prequel to Game of Thrones?

Kit Harington gives his opinion of the newest House of the Dragon prequel to Game of Thrones.

What is House of the Dragons based on?

Blood & Fire

House of the Dragon is a prequel, as you’re already undoubtedly aware of. The George R.R. Martin novel Fire & Blood served as the inspiration for the Game of Thrones spinoff, which takes place roughly 200 years before the events of the first HBO series.

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